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Abbie and I meeting was totally random, he began. This makes them valuable as both a form of witness to living history as well as a contribution to public memory. Cathy Konrad (born June 29, 1963) is an American film and television producer who has produced nineteen feature films including critically acclaimed films such as Golden Globe-winner Walk the Line, 3:10 to Yuma, Girl, Interrupted, Kids and the Scream tetralogy. Although Konrad admits he hadn’t heard Abbie’s podcast comments about him before they connected, he said that the way they met up was actually quite funny. Home movies often capture personal perspectives of history and public events. He has continued to make amateur videos and home movies including a moving personal reflection on the impact of the 2003 Canberra bushfires, Burned Out Fields Along My Walking Ways. He clearly values both the medium of the moving image and the written word as culturally important forms of remembrance and reflection, along with collecting institutions that preserve these artefacts.
Konrad movie archive#
The ‘Jennings Germans’ worked on a number of buildings in and around Canberra in the 1950s and 1960s.ĭimpel is an avid videographer and began depositing his home movies with the National Film and Sound Archive in 2000. Due to a mistake in the factorys computer, Konrad is delivered to Bertie Bartolotti, a woman. Il est une personnalité très respectée en Allemagne démocratique, à la fois pour la sincérité de son engagement et pour son intégrité morale (il a toujours soutenu les cinéastes en délicatesse. Konrad is a perfect instant child born in a factory at age 8.
Konrad movie plus#
In addition, Dimpel has recorded his family’s history over that time, providing a record of the growth of his children and their life in Australia.ĭimpel migrated to Australia in 1954 from Germany as one of the many ‘Jennings Germans’ who came out to work for the building company AV Jennings. Konrad Wolf est un des réalisateurs est-allemands les plus connus à létranger, notamment pour ses films Étoiles, Goya, et Solo Sunny. The images in these home movies are of interest for the details of domestic interiors, the record of public sites of recreation at a particular time in history, and their contribution to a recorded history of Canberra. Thomas Elsaesser and Michael Wedel tried to define what they call DEFA's Historical Imaginary with specific reference to the films of Konrad Wolf.5. The home movies in the Konrad Dimpel collection are both black-and-white and colour, and have been filmed on both domestic film and video formats.
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Konrad Dimpel’s 42 home movies capture family and work life in Canberra and its surrounds from the mid 1950s up to the present day.